WHAT IS THE FUTURE OF THE IMAGE IN THE AGE OF CLIMATE CHANGE AND ARTIFICIAL INTELLIGENCE? Hito Steyerl is one of the most celebrated artists of our time. Her work, both as an artist and a writer, has consistently challenged the political boundaries between art and technology. In this new collection of groundbreaking essays, she explores how AI, the use of large language models ...(展开全部)

WHAT IS THE FUTURE OF THE IMAGE IN THE AGE OF CLIMATE CHANGE AND ARTIFICIAL INTELLIGENCE? Hito Steyerl is one of the most celebrated artists of our time. Her work, both as an artist and a writer, has consistently challenged the political boundaries between art and technology. In this new collection of groundbreaking essays, she explores how AI, the use of large language models ...(展开全部)

Examines the imperial mythology that was reflected by Roman art and architecture during the rule of Augustus Caesar

Examines the imperial mythology that was reflected by Roman art and architecture during the rule of Augustus Caesar

"Art and architecture are mirrors of a society. They reflect the state of its values, especially in times of crisis or transition." Upon this premise Paul Zanker builds an interpretation of Augustan art as a visual language that both expressed and furthered the transformation of Roman society during the rule of Augustus Caesar. The Power of Images in the Age of Augustus illustr...(展开全部)

Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landsca...(展开全部)

Is a film watched on a video screen still cinema? Have digital compositing, motion capture, and other advanced technologies remade or obliterated the craft? Rooted in their hypothesis of the "double birth of media," André Gaudreault and Philippe Marion take a positive look at cinema's ongoing digital revolution and reaffirm its central place in a rapidly expanding media landsca...(展开全部)

In this groundbreaking book, renowned art historian Hans Belting proposes a new anthropological theory for interpreting human picture making. Rather than focus exclusively on pictures as they are embodied in various media such as painting, sculpture, or photography, he links pictures to our mental images and therefore our bodies. The body is understood as a "living medium" that...(展开全部)

In this groundbreaking book, renowned art historian Hans Belting proposes a new anthropological theory for interpreting human picture making. Rather than focus exclusively on pictures as they are embodied in various media such as painting, sculpture, or photography, he links pictures to our mental images and therefore our bodies. The body is understood as a "living medium" that...(展开全部)

罗伯特•杰维斯（Robert Jervis）现为哥伦比亚大学政治学系阿德莱史蒂文森讲座教授，美国科学进步协会会员，美国艺术科学院院士。1940年出生，1968年在加州大学伯克利分校获得博士学位，随后执教于哈佛大学，1974年转入加州大学洛杉矶分校，1980年至今执教于哥伦比亚大学，2000—2001年任美国政治学会主席。研究领域涉及政治心理学、国际关系理论、决策分析、核战略和美国外交政策等，是国际政治心理学的集大成者。他的专著《国际政治中的知觉与错误知觉》《系统效应：政治与社会生活中的复杂性》是政治心理学和社会科学的经典名著。 译者简介： 徐进，清华大学法学博士，中国社会科学院世界经济与政治研究所国际政治理论研究室主任，副研究员。